F117 Stealth

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Lockheed F117A Stealth Fighter by leading aviation artists Ivan Berryman and Michael Rondot. Lockheed F117A Stealth Fighter aviation art prints available from Air Force Arts, a subsidiary of Cranston Fine Arts.

The Stealth Bomber  Designed and built in the early 1980's at the Lockheed 'Skunk Works' under conditions of intense secrecy, the F117A Stealth fighter was not revealed to the public until 1990, after it had been in service for over 7 years. A year later during Operation Desert Storm, laser-guided precision bombing images from the cockpits of Black Jets over downtown Baghdad were on every television screen and newspaper front page around the world. Night after night, the theory of an aircraft designed to evade radar detection was tested by brave pilots in combat over densely packed Iraqi radar-directed air defences. The results, together with the aircraft and its pilots, are now legend.


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Second Wave to Baghdad by Stan Stokes.

The F-117A was developed by the Lockheed Advanced Development Projects team, better known as the Skunk Works. This was a top secret program, and the aircraft flew for several years before its existence was known to the public. Early work on the project began in 1977 with the development of two 60% scale aircraft. Under the code name Have Blue the two prototype scale aircraft were built in a matter of months at Lockheeds Burbank facility. The first test flight was made in early 1978 by Bill Park. The Have Blue aircraft proved undetectable by any airborne radar in existence other than that on an E-3 AWACS. The F-117A was authorized into production in 1978. It is one of the most unique looking aircraft in the world because it was designed as a stealth aircraft. It is made of geometrically flat panes with sharply swept wings. The facing of the aircrafts fuselage results in the disbursement of much of the radar energy which strikes the F-117A. Radar absorbing materials are used throughout and the propulsion system was ingeniously designed to dramatically reduce the aircrafts infrared footprint. The F-117A is a fairly large bird for a single seat aircraft with its 65 ft length and 43 ft wingspan. It reportedly handles well with flight characteristics similar to other delta wing aircraft like the F-106. The F-117A is capable of high subsonic flight (646 MPH) and has a range of approximately 1000 miles. The aircraft is equipped for aerial refueling. The F-117A is powered by two GE F404-F1D2 engines which are non-after burning versions of the engines used in the F/A-18. The bomb capacity is a total of 4,000 pounds. Designed to operate as a covert aircraft providing surgical first strikes against heavily defended radar and communications centers the F-117A was put to the test during Operation Desert Storm. The 37th Tactical Fighter Wing, under the command of USAF Col. Alton C. Whitley, Jr., flew the first strike missions against Baghdad, hitting important communications and control centers, radar sites, and antiaircraft batteries. Utilizing laser guided 2,000 LB bombs, about thirty F-117As participated in the first nights attacks. Despite an enormous amount of anti-aircraft fire, the F-117As under Whitleys command carried out their missions flawlessly, and not a single aircraft was lost to enemy fire. The Stealth fighters blinded the eyes and crushed the nerve centers of the Iraqi Air Forces during these missions, making it possible for other aircraft to carry out their missions with less likelihood of Iraqi opposition. A total of 1,271 sorties were flown by F-117As with a success rate of 80% during the war. One of the more impressive attacks was captured on film and showed a deep penetration laser guided bomb being guided through the top of an elevator shaft on the roof of the ten-story building which housed the Iraqi Air Forces headquarters. The bomb penetrated deep into the structure before detonating and blowing out all four walls of the structure. While the F-117A is no longer a secret weapon, its effectiveness may hopefully serve as a deterrent to future possible conflicts.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00

Special Offer Part of our Buy One, Get One Half Price Offer



Signed limited edition of 225 prints. Size 16 inches x 11.5 inches (41cm x 30cm). Price £94.00

Signed by USAF Col Alton Whitley.

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 25 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

Special Offer Part of our Buy One, Get One Half Price Offer



ITEM CODE STK0149


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High altitude strategic bombing played a major role during WW II, and in the Cold War era which followed long-range, high altitude, bombers would continue to be a focus area. The Convair B-36 represented a transitional aircraft between the WW II era aircraft and the supersonic jets that would follow. Convairs B-58 Hustler was extremely fast, but the downing of Gary Powers U-2 in 1960 pointed out the possible vulnerability of all high flying bombers despite their speed. The B-58 was phased out as cost ineffective, and the backbone of Americas manned strategic bomber force became the Boeing B-52. The B-52 has had an unprecedented life span. With improved avionics and the ability to launch cruise missiles hundreds of miles away from the ultimate target, the B-52 remained viable for decades longer than expected. The Rockwell B-1 bomber, the aircraft planned to replace the aging B-52, had a very long and controversial gestation period. The B-1 was planned to thwart Soviet air defenses by carrying a nuclear payload to its target at treetop levels and at speeds in excess of 900-MPH. Originally conceived in 1965 the initial procurement contract was awarded in 1970 with the first flight occurring in 1974. At one point 244 B-1 Lancers were planned, but the B-1 program was cancelled during the Carter Administration with only five aircraft completed. In 1982, the B-1 was resurrected during President Reagans term. One hundred aircraft, at a cost of $28 billion (or $280 million each) were ordered. The first operational B-1 reached the Strategic Air Command in 1985. One hundred of these large aircraft have been produced. With an extended wingspan of 137 feet the B-1B is capable of operating from shorter airfields than normal, and with its wings in their fully swept position the aircraft can reach speeds approaching Mach 1.5. The B-1 can carry a whopping weapons load of more than 60 tons. It can fly at very low altitude and launch multiple cruise missiles at targets hundreds of miles away. The B-1 was the worlds most expensive aircraft at the time of its production, but that title now belongs to the B-2 stealth bomber, which costs almost 9 times that of a B-1, or upwards of $2.5 billion a copy. Compared to the B-1 , the smaller Northrop B-2 uses technology to hide itself from opposing air defenses. The B-2 has many similarities to the line of flying wings pioneered by Jack Northrop in the 1940s. The B-1 Lancer was first utilized in combat during bombing raids against Iraq. Reconfigured to carry convention weapons the B-1s typically carries up to 84 Mk-82 nonprecision bombs plus 30 anti-tank cluster bombs. This allowed the B-1 to attack Iraqi tank battalions with devastating results. B-1s were utilized in Yugoslavia, as is the B-2, which was first used in combat in March of 1999 – flying, non-stop from Missouri to Yugoslavia to bomb key Serbian military command and control targets.

Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 100 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

Special Offer Part of our Buy One, Get One Half Price Offer



ITEM CODE STK0152

Predator by Ivan Berryman.

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Signed limited edition of 200 prints. Special Promotion - This item is 30% Off! Special Offer £43.00

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Predator by Ivan Berryman.

The extraordinary Lockheed F.117A Stealth fighter proved an awesome sight when at last it was revealed to the world in 1990, and it was soon to distinguish itself in combat in the deserts of the Middle East during the Iraqi campaign of 1991. Predator depicts an example of this inspired machine at altitude against an evening sun, benign and at the same time menacing, an intriguing testament to mans conquest and exploitation of the skies.

Signed limited edition of 200 prints. Special Promotion - This item is 30% Off! Image size 18 inches x 8 inches (46cm x 20cm). Price £43.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £48


ITEM CODE B0029


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Black Jet by Michael Rondot.

Designed and built in the early 1980s at the Lockheed Skunk Works under conditions of intense secrecy, the F-117A Stealth fighter was not revealed to the public until 1990, after it had been in service for over 7 years. A year later during Operation Desert Storm, laser-guided precision bombing images from the cockpits of Black jets over downtown Baghdad were on every television screen and newspaper front page around the world. Night after night, the theory of an aircraft designed to evade radar detection was tested by brave pilots in combat over densely packed Iraqi radar-directed air defences. The results, together with the aircraft and its pilots, are now legend.

Signed limited edition of 500 prints. Paper size 28 inches x 20 inches (71cm x 51cm). Price £95.00

Signed by 24 operational F-117A pilots from the 49th Fighhter Wing, Holloman AFB : Lt Col Bill Aten, Maj Dan Backuhus, Cap Matt McKeon, Capt Jack Mayo, Sqn Ldr Chris Topham, Capt Damian McCarthy, Capt Kevin Tarrant, Capt Dave Wooden, Capt John Jerakis, Capt Jake Shepherd, Capt Pete Hunt, Capt Charlie Hainline, Maj Steve Edgar, Capt George Biondi, Capt Marcus Cooper, Capt Gregg Nesemeier, Sqn Ldr Ian Wood, Capt Mike Senna, Capt Chris Williams, Capt Zane Morris, Capt Bobby Concannon, Capt Rich Steckbeck, Capt Larry Alicz and Capt Eddie Osteen.



Limited edition of 50 artist proofs. Paper size 28 inches x 20 inches (71cm x 51cm). Price £150.00

Signed by 24 operational F-117A pilots from the 49th Fighhter Wing, Holloman AFB : Lt Col Bill Aten, Maj Dan Backuhus, Cap Matt McKeon, Capt Jack Mayo, Sqn Ldr Chris Topham, Capt Damian McCarthy, Capt Kevin Tarrant, Capt Dave Wooden, Capt John Jerakis, Capt Jake Shepherd, Capt Pete Hunt, Capt Charlie Hainline, Maj Steve Edgar, Capt George Biondi, Capt Marcus Cooper, Capt Gregg Nesemeier, Sqn Ldr Ian Wood, Capt Mike Senna, Capt Chris Williams, Capt Zane Morris, Capt Bobby Concannon, Capt Rich Steckbeck, Capt Larry Alicz and Capt Eddie Osteen.



ITEM CODE MRX0002

 
The Stealth Bomber  Designed and built in the early 1980's at the Lockheed 'Skunk Works' under conditions of intense secrecy, the F117A Stealth fighter was not revealed to the public until 1990, after it had been in service for over 7 years. A year later during Operation Desert Storm, laser-guided precision bombing images from the cockpits of Black Jets over downtown Baghdad were on every television screen and newspaper front page around the world. Night after night, the theory of an aircraft designed to evade radar detection was tested by brave pilots in combat over densely packed Iraqi radar-directed air defences. The results, together with the aircraft and its pilots, are now legend.

Second Wave to Baghdad by Stan Stokes. The F-117A was developed by the Lockheed Advanced Development Projects team, better known as the Skunk Works. This was a top secret program, and the aircraft flew for several years before its existence was known to the public. Early work on the project began in 1977 with the development of two 60% scale aircraft. Under the code name Have Blue the two prototype scale aircraft were built in a matter of months at Lockheeds Burbank facility. The first test flight was made in early 1978 by Bill Park. The Have Blue aircraft proved undetectable by any airborne radar in existence other than that on an E-3 AWACS. The F-117A was authorized into production in 1978. It is one of the most unique looking aircraft in the world because it was designed as a stealth aircraft. It is made of geometrically flat panes with sharply swept wings. The facing of the aircrafts fuselage results in the disbursement of much of the radar energy which strikes the F-117A. Radar absorbing materials are used throughout and the propulsion system was ingeniously designed to dramatically reduce the aircrafts infrared footprint. The F-117A is a fairly large bird for a single seat aircraft with its 65 ft length and 43 ft wingspan. It reportedly handles well with flight characteristics similar to other delta wing aircraft like the F-106. The F-117A is capable of high subsonic flight (646 MPH) and has a range of approximately 1000 miles. The aircraft is equipped for aerial refueling. The F-117A is powered by two GE F404-F1D2 engines which are non-after burning versions of the engines used in the F/A-18. The bomb capacity is a total of 4,000 pounds. Designed to operate as a covert aircraft providing surgical first strikes against heavily defended radar and communications centers the F-117A was put to the test during Operation Desert Storm. The 37th Tactical Fighter Wing, under the command of USAF Col. Alton C. Whitley, Jr.,  flew the first strike missions against Baghdad, hitting important communications and control centers, radar sites, and antiaircraft batteries. Utilizing laser guided 2,000 LB bombs, about thirty F-117As participated in the first nights attacks. Despite an enormous amount of anti-aircraft fire, the F-117As under Whitleys command carried out their missions flawlessly, and not a single aircraft was lost to enemy fire. The Stealth fighters blinded the eyes and crushed the nerve centers of the Iraqi Air Forces during these missions, making it possible for other aircraft to carry out their missions with less likelihood of Iraqi opposition. A total of 1,271 sorties were flown by F-117As with a success rate of 80% during the war. One of the more impressive attacks was captured on film and showed a deep penetration laser guided bomb being guided through the top of an elevator shaft on the roof of the ten-story building which housed the Iraqi Air Forces headquarters. The bomb penetrated deep into the structure before detonating and blowing out all four walls of the structure. While the F-117A is no longer a secret weapon, its effectiveness may hopefully serve as a deterrent to future possible conflicts.

Black Jet by Michael Rondot   In one of the most dramatic limited edition prints ever published, Michael Rondot portrays a sinister black Lockheed F-117A Stealth fighter landing at dawn with its distinctive black breaking parachute streamed. This superb print, the seventh edition in the Gulf War series, is countersigned by more than 20 operational F-117A pilots from the 49th Fighter Wing, Holloman AFB, serving in Saudi Arabia and elsewhere, symbolising a remarkable breakthrough in access to the once super secret Black Jet and its aircrews.

The Stealth Bomber   Designed and built in the early 1980's at the Lockheed 'Skunk Works' under conditions of intense secrecy, the F117A Stealth fighter was not revealed to the public until 1990, after it had been in service for over 7 years. A year later during Operation Desert Storm, laser-guided precision bombing images from the cockpits of Black Jets over downtown Baghdad were on every television screen and newspaper front page around the world. Night after night, the theory of an aircraft designed to evade radar detection was tested by brave pilots in combat over densely packed Iraqi radar-directed air defences. The results, together with the aircraft and its pilots, are now legend. 

The Stealth Bomber

Designed and built in the early 1980's at the Lockheed 'Skunk Works' under conditions of intense secrecy, the F117A Stealth fighter was not revealed to the public until 1990, after it had been in service for over 7 years. A year later during Operation Desert Storm, laser-guided precision bombing images from the cockpits of Black Jets over downtown Baghdad were on every television screen and newspaper front page around the world. Night after night, the theory of an aircraft designed to evade radar detection was tested by brave pilots in combat over densely packed Iraqi radar-directed air defences. The results, together with the aircraft and its pilots, are now legend.

 

 

SHOWCASE PRODUCT

EDITIONS

Special Offer Pack of All Four Prints Price : £420

Merlin Roar by Anthony Saunders Price : £80

Hurricane Patrol by Graeme Lothian Price : £150

Holding the Line - The Battle of Britain by Nicolas Trudgian Price : £150

Front Line Hurricanes by Robert Taylor Price : £220

ARTIST
Featured Artist - Robert Taylor



The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

Battle of Britain Hurricane Signature Prints



Save £180 on this specially selected pack of Battle of Britain Hurricane aviation art prints. All four prints for £420, giving collectors these prints at trade discounted prices!

This pack of aviation art prints includes 4 separate prints, at a highly discounted price when purchased in this special pack. The prints included in the pack are :

Merlin Roar by Anthony Saunders,
Hurricane Patrol by Graeme Lothian,
Holding the Line - The Battle of Britain by Nicolas Trudgian
and
Front Line Hurricanes by Robert Taylor.

In all, the prints have 12 different signatures of pilots and aircrew related to Hurricanes during the Battle of Britain.

In particular, Front Line Hurricanes by Robert Taylor features 6 signatures of now sadly deceased pilots - some of them a rarity in print signings.

Click the 'Special Offer Pack' Edition to order.

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EXTRAS

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